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Film4 Summer Screen: Boogie Nights & Beyond the Valley of the Dolls
Simran Hans recounts her first viewing of Paul Thomas Anderson’s 1997 classic Boogie Nights. There are lots of things to be considered when reviewing (be it professional or personal) a film. The...
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My Lord, My Father: Paul Thomas Anderson’s The Master
The Master unfolds in a mesmerizing, hypnotic daze, punctuated with jagged edges, writes Craig Williams. Paul Thomas Anderson’s latest is a jagged, hypnotic and elliptical work of breathtaking...
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Introducing: L.A. Confidential – A Celebration of the City of Angels
Simran Hans introduces a new series that looks at the home of Hollywood, Los Angeles. “I loved the way she said ‘L.A.’; I love the way everybody says ‘L.A.’ on the Coast; it’s their one and only golden...
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Hope Blooms From Tainted Soil: Paul Thomas Anderson’s Magnolia
Continuing our L.A. Confidential series, Michael Ewins looks at Paul Thomas Anderson’s L.A. based epic, Magnolia. The adopted bedsit of hucksters, deadbeats, gumshoes and dreamers, L.A. in the 1940s...
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Defining Moments: Down the Rabbit Hole
Editor Simran Hans revisits Richard Kelly’s Donnie Darko, the film that defined her adolescence, for our Defining Moments series. I was fifteen years old when I first watched Richard Kelly’s Donnie...
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Preview: Little White Lies Presents Project Fifty Weekender at the ICA
Little White Lies magazine celebrate their fiftieth issue with the Project Fifty Weekender at the ICA London. Simran Hans previews. There’s no two ways about it: Little White Lies magazine is cool. No...
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